Our credits will appear on screen when appropriate to the shot, this meaning when the male character is seen the credit "Bradley Hawkes" will appear, this will go for all cast members. The first credit will be "Rumford Roberts Productions" and the final one will be our title "One less hour" as this is a common convention in all films.
They will not slide in or drop down, that will slowly fade in, this also links to the narrative of our film as it is about something coming out form the dark.
Wednesday, 17 December 2014
Pre-production planning: Typography of credits
We have chosen a typography for our credits, we have chosen it to reflect a typewriter style font. This creates a sense of ambiguity and mystery.
Below are some of our proposed credits in a typography we thought is fitting.
The font is called Moms Typewriter.
We took inspiration from the opening of David Finchners Se7en.
We did a mood board to help decide on typography.
Pre-production planning: Call sheet
Date and time: 17th January 2015
Location: Daentry
Storyboard scenes: 6-14
Cast and Crew: Joe Rumford, Emily Roberts and Bradley Hawkes
Props: Watch and planning board.
Costume: Bradley Hawkes - Black top, black shoes, black hoodie, black trousers
Make-up: N/A
Set up: 11am - 11.30am
Filming: 11.30am - 2pm (break between 2pm and 3pm) 3pm - 4pm filming
Pre-production planning: Test shots
To try and establish our shooting location we did some test footage. We used a lower quality camera because this is what was accessible to us at the time.
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Pre-production planning: Sound ideas
For our female character we need music to represent the archetype, therefor we are using ambient sound of current music in her room, to emphasis her archetype. We have chosen a song called "Steal my girl" to play in the background.
As well as this we approached our friend, Lucas Fisher, who is a talented musician and studying A-level music, to write a non-diegetic score, this is useful as we can make it how we would like. We and him intend to create a tense score that builds suspense.
Another non-diegetic sound will be the ticking of a clock, which will be constant throughout.
Throughout the
As well as this we approached our friend, Lucas Fisher, who is a talented musician and studying A-level music, to write a non-diegetic score, this is useful as we can make it how we would like. We and him intend to create a tense score that builds suspense.
Another non-diegetic sound will be the ticking of a clock, which will be constant throughout.
Throughout the
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